The truth is revealed
The sun-god has circled the twelve signs, and a year is past. What can Philomela do? A guard prevents her escape; the thick walls of the building are made of solid stone; her mute mouth can yield no token of the facts. Great trouble is inventive, and ingenuity arises in difficult times. Cleverly, she fastens her thread to a barbarian’s loom, and weaves purple designs on a white background, revealing the crime.
She entrusts it, when complete, to a servant, and asks her, by means of gestures, to take it to her mistress. She, as she is asked, takes it to Procne, not knowing what it carries inside. The wife of the savage king unrolls the cloth, and reads her sister’s terrible fate, and by a miracle keeps silent. Grief restrains her lips, her tongue seeking to form words adequate to her indignation, fails. She has no time for tears, but rushes off, in a confusion of right and wrong, her mind filled with thoughts of vengeance.
It was the time when the young Thracian women used to celebrate the triennial festival of Bacchus. (Night knew their holy rites: by night, Mount Rhodope rang with the high-pitched clashing of bronze.) By night the queen left her palace, prepared herself for the rites of the god, and took up the weapons of that frenzied religion. Tendrils of vine wreathed her head; a deerskin was draped over her left side; a light javelin rested on her shoulder. Hurtling through the woods with a crowd of her companions, terrifying, driven by maddening grief, Procne embodies you, Bacchus.
She comes at last to the building in the wilderness, and howls out loud, giving the ecstatic cry of Euhoe, breaks the door down, seizes her sister, disguises her with the tokens of a wild Bacchante, hides her face with ivy leaves, and dragging her along with her, frightened out of her wits, leads her inside the palace walls.
When Philomela realised that she had reached that accursed house, the wretched girl shuddered in horror, and her whole face grew deathly pale. Procne, once there, took off the religious trappings; uncovered the downcast face of her unhappy sister, and clutched her in her arms. But Philomela could not bear to lift her eyes, seeing herself as her sister’s betrayer. With her face turned towards the ground, wanting to swear by the gods, and call them to witness, that her shame had been visited on her by force, she made signs with her hands in place of speech.
Procne burned and could not control her anger, reproaching her sister for weeping, saying, ‘Now is not the time for tears, but for the sword, or for what overcomes the sword, if you know of such a thing. I am prepared for any wickedness, sister; to set the palace alight with a torch, and throw Tereus, the author of this, into the midst of the flames; or to cut out his eyes and tongue, and the parts which brought shame to you; or to force out his guilty spirit through a thousand wounds! I am ready for any enormity: but what it should be, I still do not know yet.’
The pitiless feast
While Procne was going over these things, Itys came to his mother. His arrival suggested what she might do, and regarding him with a cold gaze, she said ‘Ah! How like your father you are!’
Without speaking further, seething in silent indignation, she began to conceive her tragic plan. Yet, when the boy approached, and greeted his mother, and put his little arms round her neck, and kissed her with childish endearments, she was moved, her anger was checked, and her eyes were wet with the tears that gathered against her will.
But, realising that her mind was wavering through excess affection, she turned away from him, and turned to look at her sister’s face again, till, gazing at both in turn, she said, ‘Why should the one be able to speak his endearments, while the other is silent, her tongue torn out? Though he calls me mother, why can she not call me sister? Look at the husband you are bride to, Pandion’s daughter! This is unworthy of you! Affection is criminal in a wife of Tereus.’
Without delay, she dragged Itys off, as a tigress does an un-weaned fawn, in the dark forests of the Ganges. As they reached a remote part of the great palace, Procne, with an unchanging expression, struck him with a knife, in the side close to the heart, while he stretched out his hands, knowing his fate at the last, crying out ‘Mother! Mother!’ and reaching out for her neck. That one wound was probably enough to seal his fate, but Philomela opened his throat with the knife. While the limbs were still warm, and retained some life, they tore them to pieces. Part bubble in bronze cauldrons, part hiss on the spit: and the distant rooms drip with grease.
The wife invites the unsuspecting Tereus to the feast, and giving out that it is a sacred rite, practised in her country, where it is only lawful for the husband to be present, she sends away their followers and servants. Tereus eats by himself, seated in his tall ancestral chair, and fills his belly with his own child. And in the darkness of his understanding cries, ‘Fetch Itys here.’
They are transformed into birds
Procne cannot hide her cruel exultation, and now, eager to be, herself, the messenger of destruction, she cries, ‘You have him there, inside, the one you ask for.’ He looks around and questions where the boy is. And then while he is calling out and seeking him, Philomela, springs forward, her hair wet with the dew of that frenzied murder, and hurls the bloodstained head of Itys in his father’s face. Nor was there a time when she wished more strongly to have the power of speech, and to declare her exultation in fitting words.
The Thracian king pushed back the table with a great cry, calling on the Furies, the snake-haired sisters of the vale of Styx. Now if he could, he would tear open his body, and reveal the dreadful substance of the feast and his half-consumed child. Then he weeps, and calls himself the sepulchre of his unhappy son, and now pursues, with naked sword, the daughters of Pandion.
You might think the Athenian women have taken wing: they have taken wings. One of them, a nightingale, Procne, makes for the woods. The other, a swallow, Philomela, flies to the eaves of the palace, and even now her throat has not lost the stain of that murder, and the soft down bears witness to the blood.
Tereus swift in his grief and desire for revenge, is himself changed to a bird, with a feathered crest on its head. An immoderate, elongated, beak juts out, like a long spear. The name of the bird is the hoopoe, and it looks as though it is armed.
Next: Medea and Jason